My Covid 19 Lockdown project. An Hawaiian style lap steel guitar.
I had a selection of tone woods that I had been keeping for just such a project. The body and leg timber I selected is Kwila. The fretboard is of Purple Heart with maple and mother of pearl inlays.
My design is based on a Fender Champion 6 string.
|
I first drew a 1:1 scale plan. |
|
I then transferred the image to the kwila plank, |
|
Cut the profile of the top section and overlaid that onto a second plank. |
|
Here I have glued the 2 layers together with Titebond wood glue. |
|
Ready to trim the lower section to shape. |
|
Another view. |
|
Body with shaped and rounded edges.. |
|
The Purple Heart fret board roughed out. |
|
Purple Heart fret board trimmed to thickness. |
|
I intended to make a 3 octave fret board but soon realised there would
not be room for 2 humbucker pickups. |
|
Here the maple fret markers are being glued in. I've selected an old
Jazz Bass chrome Bridge and a length of 10mm stainless steel rod
for a nut and saddle. |
|
The maple markers have been trimmed and sanded. |
|
Then a binding of maple around the edge of the fret board. |
|
I inlayed diamond shaped position markers cut from mother of pearl.
I then routed out a trough for the fret board to be set into the body. |
|
Here the fretboard has been glued in place and the whole body given a coat of shellac sealer. |
|
Here I have made a template of the scratch plate with instructions
to send to our local engravers to supply and cut a faux tortoise shell scratch plate |
|
I've marked the cavities for the pick ups and electronics ready for routing. |
|
I permanently fixed the positions of the bridge/saddle and nut. |
|
These are string ferrules made from 1/4 inch monel pop rivet heads.
The strings will be run through the back of the body for maximum sustain. |
|
This item was ordered off EBay from a firm in America.
They took 3 months to arrive! |
|
The scratch plate template is double checked before the order is completed
by the engravers. |
|
Routing the cavity for the Tuning machines. |
|
Just right. All that remains is for fixing holes to be drilled and the logo
and out line infilled with gold paint. |
|
40mm Kwila Dowell was supplied by an Auckland based company. |
|
Here I am glueing in the 10 mm studs |
|
These are 10mm Stainless steel wall mount pipe brackets |
|
I drilled them through and completed the thread through the base to allow the
10mm leg studs to be securely screwed into the base of the guitar. |
|
Judging the splay of the legs, almost there. |
|
The pick up rings are made from the remnant of purple heart left over
from the fret board. |
|
I had the legs tapered by a local cabinet maker. |
|
Another dry fit. The upper ferrules are leather grommets in plated brass. |
|
Legs blended with tinters and clear coated. |
|
The underside of the guitar is finished in the darkest tint of the three colours chosen for the sunburtst finish which softens to a lighter, warmer tint as the eye moves over the upper surfaces. |
|
5 coats of clear later. |
|
Cherry red tinted clear over the purple heart fret board enhances the colour
and blends it with the rest of the guitar. |
|
A dry fit with electronics and gold infilled into the logo and pin line. |
|
Ready for strings and plug it in! |
|
The sustain is amazing, totally it sounds very authentic. Wonderful with a little reverb. Great tonal range across the 2 pickups in combination with the volume and tone controls. |
Featured Musician is Eric Hiakita of Auckland.
2 comments:
Beautiful Harmen
Amazing work!
Post a Comment